![]() ![]() The group has also toured with the likes of Merle Haggard and the Old Crow Medicine Show. ![]() He recorded several albums with them, including 2003’s Country Music and 2006’s Live at the Ryman. The following year, Stuart formed his own backup band called the Fabulous Superlatives. While it earned some positive reviews, it failed to catch on with music buyers.Working again with Scruggs, Stuart earned a Grammy Award in 2001 for Best Country Instrumental Performance for their version of “Foggy Mountain Breakdown.” Legendary banjo player Scruggs had recorded the song decades earlier when he teamed up with Lester Flatt. Country stars such as Emmylou Harris, Earl Scruggs and Pam Tillis contributed to the project. For All The Pretty Horses, he received a Golden Globe nomination.In 1999 Stuart released The Pilgrim, a concept album that told the story of a man, brokenhearted and suicidal, who sets off on a journey. Stuart worked on film soundtracks for a diverse range of movies from the Steven Seagal action flick Fire Down Below (1997) to the Western drama All The Pretty Horses (2000). He also worked behind the scenes, serving as producer for songs by George Ducas, Pam Tillis, and Jerry and Tammy Sullivan. Busy as ever, Stuart recorded duets with Steve Earle, Willie Nelson, B. Stuart hosted the first of many Marty Party television specials that year. He joined forces with Chet Atkins, Vince Gill, and several other country stars for the song “Red Wing.” His next solo album Love and Luck (1994) proved to be a commercial disappointment, but he remained a popular country star. The pair toured together and scored another big hit with their “This One Is Going to Hurt (For a Long, Long Time)” that same year.In 1993, Stuart won another Grammy Award-this time for Best Country Instrumental Performance. He again won over country music fans with 1991’s Tempted, which featured “Burn Me Down” and “Little Things.” Partnering with Travis Tritt, Stuart won his first Grammy Award for Best Country Vocal Collaboration for “The Whiskey Ain’t Workin'” in 1992. He and his wife Cindy divorced in 1988.Returning with 1989’s Hillbilly Rock, Stuart reached the top 10 of the country music charts with the album’s title track. In his personal life, he began to make changes, too. Exploring the sounds of rockabilly, he found some success with the 1986 album Marty Stuart and scored his first hit with the song “Arlene.” Stuart also worked on his stage persona, choosing to wear fancy western-style suits on stage and to tease his hair. Around this time, Stuart married Cash’s daughter Cindy, but he parted ways with his father-in-law in 1985 in order to focus on his own career. He has received multiple Grammy Awards for his work. He soon enjoyed solo success as well as hits performing with other country musicians, including Travis Tritt and Willie Nelson. And, as always, whether he was riding the top of the charts or exploring the blue highways of American music, he is playing and singing with conviction and precision, passion and eloquence, and making records that are at once immediately accessible and more than able to stand the test of time.īorn in Mississippi in 1958, country music singer Marty Stuart got his start in Johnny Cash’s back-up band in 1979. In recent years, Miller has immersed himself in the blues once again. When the family moved to Texas, Miller deepened his education in the blues, eventually moving to Chicago, where he played with Muddy Waters, Howlin’ Wolf, Buddy Guy and Paul Butterfield. His parents were jazz aficionados – not to mention close friends of Les Paul and Mary Ford – so, as a budding guitarist, Miller absorbed valuable lessons from that musical tradition. Running through Miller’s distinctive catalog is a combination of virtuosity and song craft. Their hooks are the very definition of indelible. To this day, those songs are instantly recognizable when they come on the radio – and impossible not to sing along with. Hit followed hit in what seemed like an endless flow: “Take The Money and Run,” “Rock’n Me,” “Fly Like an Eagle,” “Jet Airliner” and “Jungle Love,” among them. Then, in the ’70s, Miller crafted a brand of pure pop that was polished, exciting and irresistible – and that dominated radio in a way that few artists have ever managed. With albums like Children of the Future, Sailor and Brave New World, Miller perfected a psychedelic blues sound that drew on the deepest sources of American roots music and simultaneously articulated a compelling vision of what music – and, indeed, society – could be in the years to come. ![]() Steve Miller was a mainstay of the San Francisco music scene that upended American culture in the late ’60s. ![]()
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